Paul Michael Graves

Paul Michael Graves

Fig. XLIII.

Fragments in green, blue and copper intertwine over a textured patina of green-gold. The fragments align at times and diverge at others. As elements of language, this convergence and divergence reflects the threads of language in modern society that seems to support and contradict each other simultaneously. It is possible, both graphically on a canvas, and under the umbrella of one language, to experience a multiplicity of realities.

Fig. XLIII.

Fig. XLIII.

36in x 48in, oil on canvas, 2020, price upon request

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All Fig. CXXXIII. Fig. CXXXI. Fig. CXXX. Fig. CXXIX. Fig. CXXII. Fig. CVI. Fig. CVII. Fig. CXVII. Fig. XCI. Fig. XC. Fig. XCV. & Fig. XCVI. Fig. XCIV. Fig. CXVI. Fig. XXVIII. Fig. CXV. Fig. CV. Fig. CIII. Fig. CXII. Fig. CI. Fig. XCIII. Fig. XCVIII. Fig. XCII. Fig. CII. Fig. CXI. Fig. C. Fig. CX. Fig. XLVI. Fig. XLVII. Fig. CIX. Fig. CVIII. Fig. CXVIII. Fig. LXXXIV. & Fig. LXXXV. Fig. LXXXIII. Fig. LXXX. Fig. LXXIX. Fig. LXXVII. Fig. LXXVI. Fig. LXXIV. Fig. LXIX. Fig. LXVIII. Fig. LXVII. Fig. LXV. Fig. LXIV. Fig. LXIII. Fig. LVII. Fig. LIV. Fig. XLIII. Fig. XLV. Fig. XLII. Fig. XL. Fig. XXXVI. Fig. XXXV. Fig. XXXIV. Fig. XXXII. Fig. XXIX. Fig. XXI.

Fig. CXXXIII. Fig. CXXXI. Fig. CXXX. Fig. CXXIX. Fig. CXXII. Fig. CVI. Fig. CVII. Fig. CXVII. Fig. XCI. Fig. XC. Fig. XCV. & Fig. XCVI. Fig. XCIV. Fig. CXVI. Fig. XXVIII. Fig. CXV. Fig. CV. Fig. CIII. Fig. CXII. Fig. CI. Fig. XCIII. Fig. XCVIII. Fig. XCII. Fig. CII. Fig. CXI. Fig. C. Fig. CX. Fig. XLVI. Fig. XLVII. Fig. CIX. Fig. CVIII. Fig. CXVIII. Fig. LXXXIV. & Fig. LXXXV. Fig. LXXXIII. Fig. LXXX. Fig. LXXIX. Fig. LXXVII. Fig. LXXVI. Fig. LXXIV. Fig. LXIX. Fig. LXVIII. Fig. LXVII. Fig. LXV. Fig. LXIV. Fig. LXIII. Fig. LVII. Fig. LIV. Fig. XLIII. Fig. XLV. Fig. XLII. Fig. XL. Fig. XXXVI. Fig. XXXV. Fig. XXXIV. Fig. XXXII. Fig. XXIX. Fig. XXI.

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