Paul Michael Graves

Paul Michael Graves

Fig. XLII.

Fragments in blue, copper, and purple float over a red-orange field of brown. Technobabble as a language concept represents the graphic glyphs of written communication. Fragmenting and reducing this language reflects opposing constructs within language itself; much like the conflict and incoherence apparent in modern sociopolitical discourse.

Fig. XLII.

Fig. XLII.

36in x 48in, oil on canvas, 2020, price upon request

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All Fig. CXXXIII. Fig. CXXXI. Fig. CXXX. Fig. CXXIX. Fig. CXXII. Fig. CVI. Fig. CVII. Fig. CXVII. Fig. XCI. Fig. XC. Fig. XCV. & Fig. XCVI. Fig. XCIV. Fig. CXVI. Fig. XXVIII. Fig. CXV. Fig. CV. Fig. CIII. Fig. CXII. Fig. CI. Fig. XCIII. Fig. XCVIII. Fig. XCII. Fig. CII. Fig. CXI. Fig. C. Fig. CX. Fig. XLVI. Fig. XLVII. Fig. CIX. Fig. CVIII. Fig. CXVIII. Fig. LXXXIV. & Fig. LXXXV. Fig. LXXXIII. Fig. LXXX. Fig. LXXIX. Fig. LXXVII. Fig. LXXVI. Fig. LXXIV. Fig. LXIX. Fig. LXVIII. Fig. LXVII. Fig. LXV. Fig. LXIV. Fig. LXIII. Fig. LVII. Fig. LIV. Fig. XLIII. Fig. XLV. Fig. XLII. Fig. XL. Fig. XXXVI. Fig. XXXV. Fig. XXXIV. Fig. XXXII. Fig. XXIX. Fig. XXI.

Fig. CXXXIII. Fig. CXXXI. Fig. CXXX. Fig. CXXIX. Fig. CXXII. Fig. CVI. Fig. CVII. Fig. CXVII. Fig. XCI. Fig. XC. Fig. XCV. & Fig. XCVI. Fig. XCIV. Fig. CXVI. Fig. XXVIII. Fig. CXV. Fig. CV. Fig. CIII. Fig. CXII. Fig. CI. Fig. XCIII. Fig. XCVIII. Fig. XCII. Fig. CII. Fig. CXI. Fig. C. Fig. CX. Fig. XLVI. Fig. XLVII. Fig. CIX. Fig. CVIII. Fig. CXVIII. Fig. LXXXIV. & Fig. LXXXV. Fig. LXXXIII. Fig. LXXX. Fig. LXXIX. Fig. LXXVII. Fig. LXXVI. Fig. LXXIV. Fig. LXIX. Fig. LXVIII. Fig. LXVII. Fig. LXV. Fig. LXIV. Fig. LXIII. Fig. LVII. Fig. LIV. Fig. XLIII. Fig. XLV. Fig. XLII. Fig. XL. Fig. XXXVI. Fig. XXXV. Fig. XXXIV. Fig. XXXII. Fig. XXIX. Fig. XXI.

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